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The building we see today has undergone extensive remodelling and rebuilding since the current building was first constructed in this location during the sixteenth century on the site of a small Mediaeval chapel formerly part of the structures associated with the Cathedral del Salvador, the main cathedral in Orihuela. In 1591 the chapel and site was donated by the Cabildo for the construction of the Convento de Agustinas.
During 20th century restoration work some of the original Gothic columns of the first chapel were discovered and a small fragment of these can be seen near to the main entrance of the church.
However, outbreaks of cholera and the War of Succession weakened the city, followed by the Torrevieja earthquake of 1829 which caused extensive damage to the historical structures of Orihuela, as well as flattening hundreds of homes nearer to the epicentre of the earthquake. Further turbulence ensued as Orihuela was briefly an independent Canton following the Cantonal revolution of 1873 and then 6 years later a massive flood, the Riada of Santa Teresa, caused incalculable damage to the city and its historical buildings, as well as killing 300 people.
The Civil War resulted in extensive damage to the religious heritage of Orihuela, as indeed it did throughout Spain, and between 1969 and1978 much of the old convent was once again demolished and rebuilt. The last major restoration took place between 2008 and 2010, during which the impressive retablo, or main altar which today dominates the church, was installed.
Arce (1665) and remodelled by Esteban de Vizcarra y Lustarrio (1759), due to the extensive woodworm damage it had suffered. However, the convent was bombed by the Condor Legion, along with the rest of the village on the 31st March 1937, although the retablo stood virtually undamaged as the rest of the church caved in. Basic restoration was undertaken to the church, but after the convent closed, the decision was taken to transfer the retablo to Orihuela, so in 2010 the retablo was dismantled and reconstructed in Orihuela, with restoration work undertaken during the transfer process. It’s an impressive piece, including images of Saint Sebastian, pierced with arrows, and San Agustín holding a church in his hand, viewed as one of the fathers of the modern church.
The retablo dominates the church, setting the colour scheme for the remainder, which is a subtle blue and grey finish, a single nave with three lateral chapels , in the third of which, and nearest to the door, can be seen the sepulchre of Sister Juana Gillén, who died in 1607.
Convento e Iglesia de San Sebastián, Orihuela














