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CAMPOSOL TODAY Whats OnCartagena SpainCoronavirusCorvera Airport MurciaMurcia Gota Fria 2019Murcia property news generic threadWeekly Bulletin
CAMPOSOL TODAY Whats OnCartagena SpainCoronavirusCorvera Airport MurciaMurcia Gota Fria 2019Murcia property news generic threadWeekly Bulletin




Ana María Alías Vega, known better by her stage name of ‘Pasión Vega’, closed the week of gala performances at La Unión with a two hour performance of sweet, rich melodic coplas and canción española, delivered with verve and panache, leaving no-one in any doubt why she acquired the word pasión in her stage name.
Born in Madrid, and raised in Málaga, she first came to public notice in 1993, when she won a competition organised by Cadena Ser, the prize being her first single, “Estos detalles". Following this, she won a National Spanish Television show for young talents, which set her off on a professional recording and performing career.
Her first album came out in 2001, gaining her a gold disc, followed by a platinum disc in 2003 for " Banderas de nadie " and another gold for “Flaca de amor” (2005)
Her latest album is entitled, SIN COMPASIÓN, produced by Jacob Sureda, with 13 songs, many of which she performed last night:
From the onset she filled the Catedral del Cante with her presence, delivering a characterful performance demonstrating a flair, showmanship and attention to detail which left the group of her fans clutching flowers she had flung into the audience in a tearful state of satisfaction after the show , "what a woman, " they said afterwards, "such a beautiful woman.....!"
best known numbers, “El corazón al sur”, followed by one of her major hits “María se bebe las calles” . Have a listen, this is
With each re-birth of her personality she varied the pace, sensuously crushing a silken cushion as she slid across a rustling bed of undulating satin, bathed in sensual purple lighting, languously draped in a wicker chair with wide brimmed hat, evoking the sweet caress of saharan winds in a summer landscape, vibrant in aqua blue through a flirtatious series of upbeat numbers, provocatively draped in a veil as notes of arabic melodies intertwined with the warm spanish guitar, and dangerously feminine in the number " El flamenquito que perdió las botas" which had temperatures rising throughout the Catedral del Cante with the appearance of a magnificently muscled flamenco dancer, clad in gold flecked black, who dropped a shower of sand from his hands, before embarking on a hair raisingly sensuous display of flamenco, silhouetted in the semi light, wet hair clinging to straining sinews as fans flapped their fans faster in unashamed appreciation throughout the audience.
She concluded the evening by throwing flowers to the audience, leaving the air warm with the trace of her presence, a sweet perfume filled evening, calming the senses, a pleasurable sensation of well being and saturation lingering at the end of a long and beautifully delivered set.















